This is the shorter and original poem of the final version found on the Erotic Poetry page.
I would feed you
mussels, one by one.
My
ears have fallen prisoner to you, not
by force or of chains, but
by power of your words. Thus
having stolen my heart away, I
am yours. My
soul has fallen prisoner to you not
a struggled surrender, but
by your tender murmur. Thus
having stolen my heart and soul away, We are yours.
"A
night of cold
Sometimes
life ...of strangled grief..." you wrote.
~
My
beloved resides within my heart, and with tenderness endears.
Be still, dear heart, be bathed in light! Though
here on earth, so far apart, brilliant spirals of pulsing stars.
one day together for all the rest no longer a distant dream.
No night passed when we did not need to bind our hearts on tender dreams of meetings on another plane - Love is written upon the soul No day gone spent when inner fire burned no lesser than lust’s desire written in letters of purest flame - the body is the soul’s own tome A caress, a touch though feather light burns my skin with ardent fire traces there such passionate needs - expresses there soul’s whispered words Love is written upon the soul the body is its private tome there expresses its whispered words and binds two hearts on loving dreams.
To you I wouldst lift mine veil.... and await you within my refugium tent of silk, with but little resistance, with but much trust though hesitance betrays a shyness of own will... which in your presence would be gusted away like wind on dust.
Let me describe the ways - I would hold your gaze with mine as I approach the corner of your mouth, then softly kiss you there I would kiss your eyes, one by one, with my fingers tease your chest and
press closer into your warmth drawing a draught of you deeply into my being, into my heart
whispering your name with the warmth of my breath, then
softly kiss you there your cheek, then very slowly returning to your mouth pause, then brush it with my burning lips
press you closer into my warmth into my being, into my heart
that wells in throbs within, the
want of more of you...
Would but a touch remove past pain, would but a word soothe your soul, then I would blanket with warm embrace with whispered comfort 'til dawn unfolds.
This poem is the result of a little daydream...a troubador perhaps could have written this about his lady love.
Gingerly, gingerly she layeth to rest her noble head upon my breast. Quivering, wondering, I raise her chin, questioning her eyes and thoughts within.
Heart so thundering, so longing it aches, wanting so much, demanding to take . . . Afraid, surprised for this nearness at last yet knowing to wait, 'tis the greatest task.
Embrace so ardent, our breaths but one, her heart pounding under my hand. Our closeness, her nearness, yet distance is there, I yearn to but kiss my lady's fair breast.
Would that I could press my soul into hers! Ah, but to wait - for deepest embrace is this, indeed the hardest task. How I yearn to while by my lady's fair breast.
The only poetry I shall ever read, are those lines, so precious that you from your heart have freed
The only visions I wish to see, are those once hidden in depths of your eyes . . . found mirrors of me
The only thoughts I wish to have, are those so filling and warming for my soul a salve.
Pantoum Poetry info Moonlit Steps This next is my first pantoum poem, an experiment in this cyclic Malaysian form of structured poetry. Another pantoum is on the Mèlange page, Abondaned Room and Business Schemes. Pantoums lend themselves by their very nature to haunting themes. The following links are very helpful for learning about this style. (Vespertine by Ann Johnson is one of my favourites.)
Moonlit Steps
Once we shared a midnight supper, by moonlight it was, on the steps leading down to the sea. You promised never to forget that night. You smiled, remembering . . .
By moonlight it was, on the steps. I would remember such things of past. Never to forget that night, you smiled. I remember you gathered courage to brush my hand.
I would remember such things of past . . . so long ago, yet was but yesterday. You, gathering courage, brushed my hand . . . that unsure smile chased uncertainty.
So long ago, yet was but yesterday when we warmed ourselves with caresses and that unsure smile chased uncertainty. Gentle you were and pointed to stars
when we warmed ourselves with caresses. And leading down to the sea you promised . . . Gentle you were and pointed to stars as we shared a midnight supper
by moonlight. It was on the steps leading down to the sea we promised. Never to forget that night, I smile remembering that once. We shared a midnight supper.
(This pantoum could end with the fifth stanza, however a sixth stanza is optional.) Staccato
Staccato,
staccato on
wooden floor beats, flamenco’s
shoes, expressive feet.
tak
TAKA tak TAKA tak
TAKA takTAK a rhythmic tide, passionate heat.
Dangerous
eyes like
daggers seek, locked
to each other’s… volumes they speak.
Staccato,
staccato the
heels a blur… Dare
one utter demeaning slur?
tak
TAKA tak TAKA tak
TAKA takTAK Two
lovers duel a passionate pace.
A
flash, not her smile - knife’s
dual blade, in
death’s embrace in silence, they fade.
As
one they slip to
wooden floor.
Staccato,
Staccato. . . heels
speak no more.
‘Staccato-rapid, clipped
sound or speech’ here in this
sense referring to a flamenco dancer’s rhythm achieved through rapid foot work
and intense concentration. Flamenco
style of dance is not really represented here in Valencia as all areas here in
Spain have their own dance folklore. Without
going into vast history, Flamenco – the Spanish gypsy’s dance is found in
the south, in Andalusia with its rich Arabic culture.
Many Spanish snub the dance and resent that the rest of the world
actually believes it to be the national dance that everyone dances in every
village here. Many outsiders demean
it, tourists often are rude or have their fun at it.
(Though not the true aficionados.) It
is a dance of tremendous pride in the face of poverty and oppression and represents tremendous
respect of expression. It is often,
a form of social or private therapy, long before ‘therapy’ became a label. It is a passionate dance,
expressing mostly the pain and sadness of life and of course the relationship
between woman and man. This is not
to say the dance has no room for the fun part of life…however, back to the
story. Two lovers representing all
the possible dynamics of a relationship-passion, power, unfaithfulness,
inability to be together through whatever reasons, mistrust, jealousy… One decides to forever bond with the other. The dual bladed dagger is one bound at both hilts, blades at opposite ends…a last embrace commits dual suicide or suicide/murder. I am interested in your
guess. Contact me through the home page (Critique or Roses). Which
is it and was it a surprise for the other?
Who initiated it?
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